Who’s afraid of a recital?
September 10, 2011

When you think of going to a recital, do you think of a torturous event that goes something like this?

Yikes.

I would like for my next recital to have a bit more fun in the air than that.  I don’t desire to veer too far into informality (I haven’t yet learned to tread the fine line between ‘informal’ and ‘sloppy’), but haven’t we all seen enough of the soprano-in-the-piano-curve productions?  What can be done to loosen up the traditional presentation of song while maintaining high performance standards?

Seriously, do you know?  ‘Cause I’d like to try it. 

I Googled (you’ll see that I do that A LOT) ‘chamber music Atlanta’ and look what I found…Fringe.  I am in LOVE with this concept of chamber music performance.  From their website:

“…concerts feature live chamber music (classical music played by small groups of musicians), with performances of some of the most virtuosic music compositions ever written, performed by the best musicians in Atlanta and throughout the country. Unlike the iconic classical music experience of sitting, listening, yawning, and then leaving, each interactive concert is a blend of live music performances, an art gallery, a DJ spinning ambient electronica, short films, and the much-acclaimed documentaries of that evening’s performers.”

I’m not much for electronica, frankly, but I can overlook that.  Would you rather spend an evening ‘sitting, listening, yawning and then leaving’, or would you prefer to have a deeper level of engagement with a range of artists and art?  I intend to find out for myself – I’ve purchased a ticket for Fringe’s next performance.

Until then, I have a piano curve to go stand in…

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